Author Archives: nurturingspace

Evans Store

Evans Store on Hansson Ave, at the corner of Anna, was a fixture to every kid in South Beach, Gimli. Forever.

Evans Store Building in 2017. Put out to pasture behind 15 Hansson Avenue, Gimli.

My first memory of spending money was at Evans Store. My grandpa Percy would give me a nickel or dime and I would be allowed to walk by myself the 50 feet down the gravelly road to this tiny little convenience store.

Ev and Grandpa Percy, 1960

A wee brown paper bag was given to me to select my candy. Loose candy was laid out in the very boxes it came in from the wholesaler. Three for a penny. Five cents would yield 15 mint leaves! Bright green leaf-shaped gummies, the size of my thumb, covered with crystalline sugar. Liquorice ‘cigars’, blackballs, pixie stix, and the famous Koko bars. Old Dutch Potato Chips, Hawkins Cheezies and sunflower seed bags were neatly displayed in rows on a metal stand with little clips.

And soda pop. I don’t remember my mother ever buying pop at home in the city. Maybe we would be allowed one if we went to A & W. But in the summer I was allowed to go to Evans Store to buy pop.

A similar Coca Cola dispenser at Hnausa General Store.

Depositing my coins in the slot and extracting my pop meant sticking my hand into the ice cold water of the red Coca-Cola dispenser and grabbing the protruding bottle neck. There was a rag hanging on the side of the cooler to wipe the water off the bottle. Cream Soda, Orange Crush or Seven-Up.  A summertime treat.

Evans Store was owned by Anne and Mike Evans. The store was only 12 x 17 feet, really a glorified fruit stand. Judging by its construction it was no doubt built around the same time as Camp Sparling, the fresh air camp on the lake directly at the end of Hansson Ave. Farmers donated food to the fresh air camp but Evans Store serviced the camp staff for their treats. And cottagers for their staples. (In the early days cottagers were called campers.)

Mike and Anne, were of Ukrainian descent. Their name was undoubtedly changed from Ewanchuk. Mike was a fisher and added to his income doing carpentry and odd jobs taking care of people’s cottages in the off-season. The store was in direct competition with Mike Shewega, his wife’s brother who had an identical camper’s convenience store only two blocks away on Colonization Road. However the Evans were reputed to have the best ice cream in the area.*

It had one of those screen doors with a metal band across as a push bar, the type which sported advertising. Evans Store was Coca Cola all the way. Ice cold coke in glass bottles. We would scour the ditches for empty pop bottles which could be redeemed for 2 cents a piece. Which meant more candy!

Eileen Evans, circa 1940

Opening the screen door would activate a lively bell which alerted Mr. or Mrs. Evans of a customers arrival. Hung inside among the sticky fly-catching strips coiling down from the ceiling was bologna and other quality deli meats from Manitoba Sausage. And great wieners for roasting over a bonfire. Mr. Evans would cut bacon slices individually off a big slab with a very sharp and well-worn knife. Shallow shelves nearly to the ceiling were lined with canned goods; coffee, jam, Red Rose tea, Klik, Spam, soup, Del Monte vegetables and fruits, pickles, cat and dog food. And fresh bread, milk and butter. Most of the basics needed by cottagers. When South Beach girls got old enough to need feminine hygiene products we could count on Evans Store to get us out of a jam. They were wrapped in brown kraft paper for discretion!  And of course Evans carried the ubiquitous cigarettes, chewing tobacco and cigars, no doubt the real profit makers.

In the 1940’s the Evans girls Eileen and Eleanor’s friend Marie Isfeld took a path all the way from the south end of Colonization Road through the wooded field to the store. Or Marie would meet them at the end of Hansson Ave and walk to school with them, either following the Arnason Dairy truck to break trail in the snow or riding on it. And much later her son Lawrence would be sent by his Afi (grandfather in Icelandic) to get cigarettes at the store, on credit. Credit was extended, graciously to most people in the area. When the South Beach mink ranchers sold off their pelts in November they would pay off their debt to the Evans.

All the overstock cigarettes and paper goods were stored in a shed behind the store, secured with a simple padlock. Evan’s granddaughter Lois remembers occasions when she would sleep over at her grandparents in the 1960’s waking up in the night to the sound of someone breaking in to the shed, mostly to steal cigarettes. In the winter the Evans would move the store into the porch area of their house directly behind the wee store. In later years burglars came in the early morning hours, terrified the elderly couple by tying them up and threatening them with a comb (though they thought it has a knife or gun) and robbed them. It made the Winnipeg radio news and that’s how their daughter Eileen found out about it. 

One day in May 1967 Anne Evans happened to look west down Hansson Ave. She saw a man lying on his front lawn. That man was my grandpa, Percy Wallace Carter. He was dead from a massive heart attack. The rake beside him. He’d been raking leaves in the early spring. Dead beside a cotoneaster bush. My grandmother napping only a few feet away in their cottage. Anne Evans called the R.C.M.P. who contacted my mother in the city. Anne Evans, the woman who stayed and comforted my grandmother.

Percy W. Carter, 6 Hansson Ave

Up until 1980, when my own father had heart problems, we never had a phone at our cottage. No one did. We always walked uptown to the harbour where there was a pay phone booth near the pier. But in an emergency everyone in South Beach knew they could use the Evans phone. It was in their house, right behind the store.

Anne and Eileen, ca. 1934

Anne Evans a stern, well-dressed woman. Mother of Eileen and Eleanor. Awarded a life membership in the Gimli Women’s Institute and noted best canvasser for the Cancer Society.** She herself died of cancer June 12, 1972 at the age of 69. The store had been closed before that when Anne had to go live in Winnipeg with her daughter Eileen due to ill health. Mike passed away in the early 1980’s.

The fact that my grandpa died raking leaves on the front lawn of what is now my cottage is actually a beautiful, comforting memory to me. Of course it was a traumatic event for my family, what death isn’t, causing all sorts of repercussions. But I will always remember Anne Evans and her compassion. And I will never forget Evans Store where I received my first education in financial literacy. 

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Evans Store Building, 2018

Sources:

* “The Stores of Gimli”, by David Arnason, Interlake Pulse, 2013, pp. 44-45.

** Gimli Saga: The History of Gimli, Manitoba. Gimli: Gimli Women’s Institute, 1975, pp. 275 and 336.

Many thanks for the black and white photos, memories and fact checking of Evan’s grand-daughter Lois Bergman Marotta.  Also memories of Lorraine Hicks, Marie Isfeld, Lawrence Frantz, Susan Woodruff, Julie Ewanchuk, Sheryl Stephen, Wendy Rothwell Dunlop, Dan McKelvey, Barbera Buffie, Ken Kristjanson, Val Sobkowich Verity and Joanne Couture Burns.

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Ode to Saskatoons

I only had to look up.
They were there all along.
The ripe and ripening fruit.
Yummy morsels.
Dark purple.

I go out and harvest my breakfast
from my own bushes, nay trees now.

When did the fruit grow out of reach?
How can I harvest?
The tree, if carefully handled,
will bend.
Gracefully bowing its branches
and offering, like a courtesy
its posey to the queen.

Of course looking up at the right time is good.

At first the berries come in bunches,
easy picking, filling my pail in minutes.

There is more fruit there
Waiting to ripen.

Each picking gets more intense.
Berries now ripen one by one
spread over many branches
making the harvest slower and more thoughtful.
For what might be hiding under a leaf?
A juicy surprise
All alone.

I don’t remember losing touch.
When did I stop noticing the fruit
in my own backyard?
When did I become nonchalant?
When did I forget to look up?

Someone walked the path with me.
Someone who knows the forest.
Recites the names,
studies the bark.
Notices the leaves.
Someone who can tell a spruce from a fir.
Someone who made me aware.
Who gave me a new perspective.

I only had to look up.
They were there all along.
The ripe and ripening fruit.
The yummy morsels.
The dark purple.

When all the ripening is done
the last few berries
remain solitary.
How can I possibly leave even
a single berry behind?
Then I remember the birds.
The birds who serenade me each morning.
They need to eat as well.
And in their relief
will broadcast the wee seeds
to more places in my forest
to keep the harvest ever present.

Can I trust this fullness?
The deep ripening which satiates
and fills my soul?

Like a sage writing holy scripture
I notate in my calendar
a year from now.

Look up.

Deep Woods Words Land Art Project

It all started at a used book sale when I saw a pile of Reader’s Digest Condensed Books sitting in a pile. Some of them had a bit of mould. I asked the organizers if I could just make a wee donation and take the whole lot off their hands.

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I have been inspired to do odd stuff with old books by @book_ronnie on Instagram.  She leaves books in piles or assemblages in the woods and waits to see what will happen to them.

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I am privileged to have a piece of land which has nature paths. I chose these two trees.

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To see what happens to my library in the deep words, oops, woods, stay tuned.

UPDATE June 2018

Thanks to another great yard sale I’m able to add to this project.

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1 Year of Stitches – DONE

1 Year of Stitches FINISHED

1 Year of Stitches

One year ago my friend Lou Anne Sybenga and I started a project called #1yearofstitches or #onestitchaday. This challenge was begun by Hannah Claire Somerville. When I saw this project on Instagram it took my fancy. I had just finished a year long one-a-day project which required me to go outside everyday and make ephemeral art. So stitching was a nice change.

I decided to take Hannah’s idea and share it with my artistic muse and neighbour, Lou Anne. We decided to both start hoops and trade back and forth every couple of weeks. She chose a light pink ground and I choose black. To say she is not computer savvy is a bit of an understatement. And I am the opposite, so I documented everything on Instagram.

1 Year of Stitches BEFORE

Hannah describes #1yearofstitches thusly:

“I am interested in the impact, or mark, that an individual makes on a daily basis. Big or small, our daily activities are often times unquantifiable and intangible. I am approaching this project as a personal map making; the fabric ground represents each day of the year, with the needle and thread representing my actions throughout the day. I will embroider— maybe one stitch, maybe more, (hopefully) every day and photograph the result. The embroidery I create will become a tangible, visual account of the decisions, movements, conversations and sometimes lack there of, that I make each day. I hope to use this project as a means of creating mindfulness and deeper reflection upon the choices we make as a society. ”

Our Rules and Stipulations (adapted from Hannah) were:

  1. Our fabric ground consists of a swatch of poly-cotton in a 10’’ x 10’’ hoop. The thread we use may change daily and we may adhere additional types of media to our ground with thread.
  2. We will embroider something each day and I will try to post a photograph of the result each day on @wavesongart.
  3. It is not required that we make a stitch— some days you definitely do not contribute anything to society.
  4. We are allowed to remove stitches, because mistakes can sometimes be undone.
  5. We will exchange hoops on a regular basis.
  6. More rules and stipulations may be added as the project evolves and lessons are learned.

Lou Anne’s hoop

Ev’s hoop

WHAT WE LEARNED:

  • We both had to give ourselves permission to be more flexible and less anal. Some days we just forced ourselves to stitch. Some days, fuck it! Who’s gonna police this but us?
  • The hoops became fluid. Meaning we had to drop the notion that the pink one was ‘hers’ and the black one was ‘mine’ because at first we were both afraid of screwing up each other’s hoops. The funny thing is, when the year ended, we decided to keep the one we each began with.
  • The pink hoop called out to be filled in totally. The black hoop called out for more negative space or background showing through.
  • Lou Anne’s default was to complete a little area with a scene or object. I tried to create little objects and I didn’t enjoy it. Chain stitch, running stitch and back stitch were my go-to’s.
  • A year is a long time and SHIT happens. Sometimes you just don’t feel like carrying an embroidery hoop into a hospital waiting room.
  • Everyone who saw the hoops was very inspired. But it was less inspiring in some ways for us. I was glad to get back into hand stitching actually though and I realize I abandoned it for my machine a number of years ago. So I am looking forward to more hand-stitching.
  • Where does inspiration come from? Ah, the eternal artist’s question and still waiting to be answered!
  • We always enjoyed what the other person was doing more than our own work.
  • We were very glad to FINISH, to see the year through to the end! If we hadn’t had each other to be accountable to we may not have finished.
  • We make our mark on each other. Our friendship is very important.
  • I don’t need to do another year long one-a-day project for a l-o-n-g time.

Chloe’s three little bugs

Purple Rain, Cabin in the Woods and Vancouver Island forest

Lou Anne’s paisley and Ev’s Aurora

texture

beading

Lou Anne’s jumping fish and Ev’s Ombre

 

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Autumn Contemplation on the Bruce Trail

I spent the weekend with these harmonious souls walking a wee part of the Bruce Trail on an Autumn Retreat with the theme, Letting Go. The trail was quite difficult in parts and because of the drizzle, it was also slippery. This meant that I needed to pay attention to where my feet landed.

This part of the trail is in wine country. So one is constantly hearing the boom of canon’s being set off in order to keep the birds from eating the maturing grapes. It’s an interesting juxtaposition of nature sounds and booms.

One of our retreat facilitators led the walk and the other came behind to make sure no one was left behind or in trouble. This was very comforting.

We sat on the moss, without words.

This is what I wrote:

Long before….
long before.
Long before your were conceived of I Am.

I Am the falling water.
I Am the smooth rock.
I Am the soft green moss, carpet for your weary rambling.

Long before…
I Am the smell of the decomposition.
I Am the fragrance of my tears on fallen leaf.
I Am the sound of rain dripping from the canopy.
I Am the swirling eddies.
I Am the calm pool.
I Am the water against stone.

Long before…
I Am the ancient gnarly roots.
I Am the hidden nest in the branches.
I Am the cool breeze.
I Am the cleft in the rock.
I Am the canon boom protecting the harvest.

Long before…
I Am the rich hummus.
I Am the skirt of yellow.
I Am the blanket of red.
I Am the evergreen.

Long before….
I Am the joy of birdsong.
I Am the slippery foothold.
I Am the steep climb.
I Am the glacier’s path.

I Am your deepest longing.

Long before.

Because I did not take my camera I have used this photo from Richard Olley’s blog.

 

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