One of the most powerful moments of my mother’s committal service was seeing my brother and sister-in-law placing her ashes into the ground. They knelt down on the grass beside the small hole. Gently her arm went all the way to the bottom of the soil floor, over a metre down, like a final caress.
Families who are not given the opportunity to partake in rituals such as, funerals and memorial services, religious or not, are missing out on chances to fully mourn, experience their grief and have that grief witnessed, a vitally important function. All of the great religions feature rituals around death, for good reason.
I increasingly hear about individuals requesting no ceremony after their deaths. This is troubling to me. We have rare opportunities for collective emoting, not just for joy but especially for grief. No wonder grief sometimes takes the form of huge displays after public tragedies. When our grief is denied expression we gunnysack it and it comes out in other ways, like anger and depression.
Public displays of grief are important and necessary, such as state funerals, processions, piles of flowers. Why do we deny ourselves the right to grieve when it is our own loved ones?
Ceremonies are not for the dead, but for those who need and want to remember and mourn. They help us to face our own mortality. Of course not all families and cultures need to do things the same. Nor do individuals need to grieve the same. But pretending that nothing is going on, by bypassing these rituals, does not support good grief.
I felt privileged that my brother had asked me to make a fabric bag to house my mother’s earthly remains. I put off making this bag for weeks until I just couldn’t procrastinate any longer.
It took a couple of attempts before I came up with something which satisfied me. I started with a piece of batik fabric in teal colour and held it in my hand for about 20 minutes. Nothing came. I then went rummaging through a special drawer I have of old pieces of fabric, tapestries and recycled cloth. I came upon a piece of old quilt on which I had already started a kantha quilting on years before and never finished. THAT was it! The fabric just jumped out at me. Pick me, pick me. This old quilt, no doubt fashioned by a woman many years ago and well worn with loving use was in the perfect colours.
I felt a tinge of what artisans (no doubt slaves) of King Tut must have felt to fashion things for his royal tomb, grand things, like a gold chariot, that they knew would never be seen again. When I finished the embroidery, and embellishments of costume jewelry selected from her jewelry box, including a butterfly/cross pin which symbolized the Faith At Work movement, I knew my mom would have liked it.
Then when my sister-in-law read a poem entitled “Butterfly” at the graveside, a poem which she had written immediately after Mom died, it was like a mind meld had happened that I had included the butterfly pin on the side of her bag.
The Faith at Work cross symbolizes death (the cross) and resurrection (the butterfly) and the lifestyle Sam Shoemaker urged: “Get changed (cross); get together (circle); get going (butterfly).”
Light as a feather.
Translucent gossamer wings
shimmer in the sun.
She flits from blossom to blossom,
gently touching all in her path.
She imparts the blessing of mercy
with each delicate touch,
leaving the fragrance of beauty
to linger lovingly
long after she has gone.
she drifts into a lurking cage.
She is frightened,
cannot find her way out.
She struggles, throws her fragile body against the
again and again.
She cannot escape.
confused, and bewildered,
she collapses on the floor.
And she waits.
Kept alive by a few random raindrops that fall
into her prison.
Slow death awaits.
Those who come and stare cannot release her,
this she knows.
Yet somehow she imparts her gift of loving kindness and mercy
to each one.
The sheen of her gossamer wings has faded now.
into dull lifeless grey.
Unable to fight it any longer,
she rests, releases her battered body after years of struggle.
That beautiful body, now at peace.
Spirit soaring now to heights unknown,
to beauty never before realized.
She is finally free of the fetters
that bound her for so long.
She is in the sparkling diamonds on the river.
She is in the tender young buds on the tree.
She is in the timeless sweet song of the robin I hear.
She is in the tiny any scurrying along my path.
She is in the sweet squirrel
staring curiously at me from the branch above.
She is in the beautiful butterfly
who lands beside me,
on my bench by the river.
She is finally free.
-Sheri King Ward, 2016
Perhaps one of the greatest compliments I have ever received as an artist (and daughter) was from my other sister-in-law who said something to the effect “it’s remarkable how you were you able to get a piece of fibre art to look like someone”.
Few of us will ever get the chance to see human ashes, or touch them. Of course, it was me who had to transfer the ashes from the temporary box provided by the crematorium into the bag; a job which was difficult, enough in itself, to perform. Again, this was a healing moment of grief.
Cremation isn’t for everyone. If you have quandaries about cremation, I recommend listening to this podcast on End of Life University, https://lessonsfromdying.wordpress.com/2015/08/21/everything-you-ever-wanted-to-know-about-cremation/. Even though it comes from an American perspective there is much to gain from it.
I know my mother isn’t ‘in’ that bag. But the act of creating the last holding vessel for her ashes was profoundly healing. And seeing it placed into the ground gave me a finality which, even though ripped my heart out, was necessary.
Later we all joked about me making this “griefcase” and how I should be selling them on Etsy! But it was a ‘one of’.
I honestly don’t know how families who are denied these rituals cope. Ceremony is necessary. Rituals are important. Creating your own as a family is wonderful. Please do not fear these times. This is where the healing lies.